Showing posts with label Brand Design. Show all posts
Showing posts with label Brand Design. Show all posts

Sunday, August 1, 2010

Interview with Christopher Doyle


Check out the full version of Chris Doyle's Identity Guidelines: Christopher Doyle_Guidelines.pdf (1.04 mb)

Chris Doyle is a Sydney based designer at Moon Group and recently produced a set of identity guidelines based on himself which is an instant classic. I tracked Chris down to find out more about the project ....

Hello Chris, I’ve seen your brilliant identity guidelines featured on numerous blogs recently, what has the public response been?

To be honest I have been completely overwhelmed by the response. People seem to have genuinely enjoyed the piece. I have had emails and text messages from all over the world, all just people writing to say they enjoyed it. I had a phone call from a guy in New Zealand who called to say how much he enjoyed it, that he felt compelled to call. That was so satisfying for me. From the start I was far more concerned with the idea and making it funny, than I was with it being a cool or fashionable piece of design. For so many people, designers or otherwise, to find it funny or clever, that's more than I could have hoped for.

Read more...

Friday, October 2, 2009

Rio 2016 - Olympic Games - Master Plan‏


http://www.youtube.com/watch?v=5TCoqZNesnM&feature=related

The visual identity of the Rio de Janeiro candidature consists of a logo and a slogan, which are being applied in marketing moves during the campaign.[87] Designed by Ana Soter and selected among four finalists by a special jury, the logo was unveiled during the 2007 Brazilian Olympic Awards, held at the Municipal Theater of Rio de Janeiro, on December 17, 2007.[87][88][89] The
Sugarloaf Mountain was chosen as the symbol, representing the natural richness of Rio de Janeiro.[88] According to the Rio de Janeiro 2016 bid committee, the design as a whole conveys a heart shape, representing Brazilian passion and enthusiasm for sports.[88][90] Through its mirroring effect, the symbol also forms a stylized clover.[88] At midnight on January 1, 2009, Rio de Janeiro's Olympic slogan "Live your passion" was launched as part of the New Year's celebrations.[87][91][92] The slogan reflects the Brazilian people's way of getting passionately involved in whatever they do.[93] It was projected onto a Rio de Janeiro 2016-themed big wheel immediately after the ten-second countdown to the beginning of 2009.[94] The structure, purposedly erected at the Copacabana beach to promote the candidature,[95] is 36 m (118 ft 1 in) high, weighs 80 tonnes (180,000 lb) and has 24 gondolas with a capacity for 144 people.[96] Approximately two million people attended the official launch of Rio de Janeiro's bid slogan.

Wednesday, April 15, 2009

Brand - Business Fantasy Camp


Business Fantasy Camp is a brand new web series that gives you the chance to gain expert business advice from some of the world's most prolific celebrities and business leaders.
Daisy Fuentes' brand makeover

Wednesday, April 1, 2009

The Branding of a president

The Gotham typeface, the slogans, the juxtaposed O, and the oh so clean website are some of the design elements that came together to create the most successful 2008 presidential campaign. Regardless of how we feel about politics as designers, we need to appreciate the level of complexity the Obama campaign undertook and the way in which it perfectly and meticulously carried out the branding of our current president of the United States of America.

The brand, as most designers should be aware of, is not just a logo found on letterheads and websites. It is the image the public sees and experiences when they encounter the product. It is understood and trusted as if it were an old friend or a beloved family member. This product can be a person or thing. Although in our society, the majority of the time we encounter products intertwined with a person who is oftentimes a celebrity.

There are many elements to a brand. First, there must be Brand Association; this is the feeling one gets when one thinks of a company or product. Such is the case of Volvo which is synonymous with safety. Brand association is commonly and easily destroyed. For example, companies, in an attempt to compete with other companies in the mist of current financial struggles, might begin to sell products or ideas in ways that are difficult for the public to identify with. At this point, the brand starts to deteriorate. The public loses interest. Such is the case with Starbucks. In the mist of financial instability, Starbucks began serving breakfast and lunches. Starbucks’ original brand association rested on the notion that when customers entered a store, they would only smell and think about the freshly brewed coffee they were going to buy. That no longer exists. In the case of the Obama Brand campaign, the brand association was simple and clear; this is a man who cared for the common person and their interest were his. He is a man of the people rallying a coalition for change. These ideas, for many, became synonymous with Obama.

The second element to brand reinforces brand association and that is Brand Name. Brand name is the word or words that a company or product is known by. This is done by word association or sometimes, it is the impression transmitted to the consumer about the product. This impression is sometimes well defined while at other times, it is more subtle. In a time when an entire country’s pulse was speaking louder than words, when the people were thirsty for action and involvement, the Obama brand focused on the word Change, and empowered the people with words like “Yes We Can.”

The third element is Brand Personality. Brand personality, in most cases, is given to a product or company by a representative or spokesperson. Often, someone famous or a current celebrity is used. However, at other times identifiable objects that represent what a company stands for can be used. For example, a rock can be used to represent stability or water can be used to represent tranquility and fluidity. The Obama Brand benefited a lot from its charismatic leader but it also used a series of color combinations that denoted patriotism. This included the use of the clean, elegant and very American font, Gotham. The font itself has an honest tone that’s not imposing, not plain or unsympathetic but rather friendly and confident.

The fourth element is a Logo which can be a company’s graphic imagery; this can often be illustrated or simply written. Sometimes the logo becomes part of the entire identity of the brand. It also gives out a desired emotion that will help consumers identify with the company. One of the most famous is the big yellow (golden) arches shaped in an M of you know who. Children from all over the world see it and immediately name it without knowing how to read. These arches act like bells awakening children’s craving for McDonalds. The Obama campaign logo is simple yet quite clever and meaningful. At the top, there is a half blue ring which symbolizes a rising sun. It is also the same shape as the O used to write Obama in campaign materials. The red and white stripes below it combined with the blue above create the American flag, which is completed with a sun rising above the horizon. The logo is symbolic, simple, and memorable.

The fifth element is Positioning. Positioning usually requires heavy research and it determines much of how what has been discussed in this essay will be executed. This determines where the product or company fits in the market place, and its services and advantages over the competition. Given the time in history, the economy, the leaps and bounds the country is taking over the last 50 years, the progressive mentality of its youth and their desire for taking responsibility for our environment, the Obama campaign flourished and succeeded. As society becomes more diverse, it becomes more aware of it surroundings and the entire world. Designers would need to consider target audiences and other common variables for design decisions simply because these things will affect the approach that will be taken for a brand.

Finally, a Tag Line as simple as “Just Do it” stands on its own. An affective tag line does not need the company’s name sometimes. It is a catchy and memorable phase or sentence that identifies the company. The well publicized and constantly enforced tag line for the Obama campaign was “Change We Can Believe In.”

Obama’s campaign ran well most likely because it was one of the best branding campaigns ever put together. The Obama website was user friendly. One interesting feature was the ability to add your phone number so constant updates on the campaign could be sent to you. The posters, t-shirt and other collectibles made designers want to hang them in their office. Everything was perfectly carried out. In one small detail, at the Obama speeches given throughout the country, there was always an abundance of posters. As one of Obama’s supporter and his family arrived to listen to a speech, someone handed him a homemade poster with Obama’s name on it. Several minutes later, a representative of the Obama campaign approached the supporter and gave him one of the official campaign posters. Talk about retaining a brand.


by GIANCARLO BRAND
COLLEGE VALENCIA COMMUNITY COLLEGE
JOINED FULL SAIL 2006
INTERESTS Aside from design, he also has a passion for the technical aspects such as maintaining and fixing computer software and hardware including
maintaining servers and networks. He now holds the position as
Communication Chair for AIGA Orlando chapter.
CAREER Giancarlo, also known as "Blue", has worked for several local ad
agencies in Orlando, such as Push, one of the largest design firms in
Florida, and MarkUSA which is now located in Chicago. He also excels
at Photography; his first passion and one he worked with for many
years with several local photographers as well as on his own.
He was mentored by well-known "Design Activist" Julio Lima, founder
of Push and owner of the successful local Studio "Say It Loud".

Monday, February 16, 2009

Logos in need of intervention






Every day I encounter tons and tons of logos. It would be easy enough to vent about all the dreadful design out there. But most of the amateurish work out there is done by, well, amateurs. The real issue I have is with big, well-funded brands that should know better. I have picked out ten such logos (OK, 12) that are desperately in need of a redesign.
Posted by chris @ NAIL, A full service advertising agency

Tuesday, February 10, 2009

The Invisible Force Powering Today's Most Visible Green Brands

"Green" has gone mainstream, and for many companies caring for the environment is not just a philosophy, it's a marketing strategy. So how does a company that's genuinely committed to green principles differentiate itself from its greenwashing competitors?

gort cloud chart

Click image to enlarge.

Brand expert Richard Seireeni interviewed over two dozen "ecopreneurs" from a broad range of industries - home improvement, transportation, household products, food and beverage, energy, real estate, finance, and fashion. The collective experience of leaders such as Gary Hirshberg of Stonyfield Farm, Jeffrey Hollender of Seventh Generation, and the grandsons of Dr. Bronner, as well as other green experts, are a rich source of wisdom for green businesses getting off the ground or for any business aiming to improve its environmental performance.

The result of these interviews is the discovery of "The Gort Cloud" - a term coined by the author that describes the vast and largely invisible network of NGOs, trendspotters, advocacy groups, social networks, business alliances, certifying organizations, and other members of the green community that have the power to make or break new green brands. Read more...

Tuesday, June 24, 2008

Seragini Brand Design

Lincoln Seragini is the Jedi Master of Brazilian design. He's known throughout Latin America as a mastermind for the integration of marketing, engineering and design.

That's no small task. But Seragini has proven up to the challenge over his 40-year career. He has parlayed his training as a chemical engineer with experience in packaging development and marketing for such premiere companies as Colgate-Palmolive, Nestlé, Johnson & Johnson and Young & Rubicam into a vibrant management style that taps into the strengths of all three disciplines.

"I develop the business strategy, manage the creation of ideas and sell them to the Company," Seragini says. Seragini likes to refer to his own company, Seragini / Farné, as the IDEO of Brazil. He explains: "We're multi-disciplined and we develop products based on consumer experience and observation – like IDEO."

The word "provoke" comes up often in a conversation with Seragini. "I've always been innovative in provoking everybody," he says. "This is my personality. When you analyze innovation, you will conclude that it's design, not the technology."

Read more...

Wednesday, April 30, 2008

Reboot your packaging!

Shelf Impact! is delighted to announce that in addition to publishing a twice-monthly electronic newsletter, we're putting on a series of one-day package design workshops in 2008.

No time or budget for a three-day package design conference extravaganza? No problem! Come to our hands-on, one-day session and come away with lots of ideas to re-energize your packaging.

Learn about retail trends, consumer preferences, and strategies to help you create packages that deliver bottom-line results! The workshop is held in several cities across the U.S. Find one near you!

Monday, March 3, 2008

Marketing: User Generated Content Promotions

Mark Hardison, VP of Marketing for El Pollo Loco, joins host Paul Lewis to discuss User Generated Content Promotions. Listen…
Consumer Generated Content
Consumer generated content is the actual message contained in consumer generated media. Consumer generated content is typically a review, commentary, or set of opinions on a product or service that the commentator has personal experience with. This content can have positive or negative effects on a brand's image depending on the opinions of the writer. Consumer generated content, as related to consumer generated media, usually refers to commentary cited online - in blogs, personal websites, message boards, and related media. Content created by consumers, as compared to advertising created by businesses, is typically seen as more reputable because it is unsolicited and does not financially benefit the writer.

Saturday, March 1, 2008

VSA: Intelligence + Instinct

VSA Partners is design agency to some of the best businesses and brands in the world. Our strategy and design have shaped communications, inspired change and accelerated the competitive metabolism in dozens of leadership companies.

Organizations come to us when they want to create an irresistible marketplace attraction. To understand and fulfill their potential. And to deliver their vision confidently into the arms of their audiences. This involves everything from brand strategy and visual identity to marketing communications, retail design & packaging, through interactive media and corporate communications.

Read more...

Saturday, February 16, 2008

Campaign Posters

Published: February 15, 2008

Campaign posters that break from tradition may not bring in more votes, but they are eye-catching and have a positive public impact.

Wednesday, February 13, 2008

Tips for Creative Takeover

"Unless you work for Interbrand (Xerox - Transforming an Iconic Brand) or Pentagram, the art direction
challenges are much smaller in scope and potentially much more
frustrating...

"Rule 1. The art assets will suck. Deal with it.
The logo will be something someone's kid drew in 1976 and if you're lucky, they scanned it. However, the only version they'll have is a 72-pixel-tall GIF with transparency and jaggies. The company will not have any fonts on hand, unless they came free with that mouldering copy of CorelDraw 4 stashed in the IT guy's closet. There'll be no money for custom photo shoots, except maybe for executive headshots. Microsoft Word is considered 'layout software."
Tips for Creative Takeover
by AJ Kandy


posted by Brian Ashe

Friday, January 18, 2008

XEROX - Rebranding

Contrary to other logos, like AT&T or UPS, the old Xerox wordmark was not necessarily good or looked as a paragon of our profession, so its demise is not mourned. The short-lived digitized X on the other hand was incredibly communicative and expressive of the place that Xerox occupied at the moment — bridging new and old technologies and processes — but at the same time, despite nostalgia, the pixelation effect was probably as clichéd then as these electric bugaloos are today. The Xerox wordmark was in serious need of an update and, letter for letter (except for the "r"), this new wordmark does an amazing job. Those "x"s are to die for. A wise move would have been to simply move forward with the wordmark, placing emphasis and importance on the word Xerox, which has plenty of equity. But instead we had to be graced with the introduction of this furious marble that is downright abominable and meaningless but come to think of it, it does take my mind off of "the copier company". Just not with good thoughts. Read more: Underconsideration

posted by Brian Ashe