Since the early ’90s we’ve seen the emergence of what some have been calling “outsider” and “urban” art — artists who used the street as their canvas and non-traditional mediums as their tools, but weren’t practicing what we’d normally title graffiti. On April 25th the work of many of these artists (including Shepard Fairey, Barry McGee, KAWS, Mike Giant, FAILE, Banksy, Neck Face, and many more) will be featured at Phillips De Pury auction house in their Saturday@Phillips series. We caught up with Ken Miller (auction art consultant, ex-editor in chief of Tokion Magazine, and publisher of Revisionaries: A Decade of Art in Tokion) and Alex Smith (auction curator and Contemporary and Urban Art Specialist at Phillips de Pury & Co.) so we can get an insider’s point of view on the rise and relevance of this movement.
Flavorwire: The word “urban” or “street” is often used in describing much of the art available on the 25th. Where is the line drawn between “urban” art and graffiti?
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