Friday, April 24, 2009

Exclusive: Redefining Urban Art at the Auction House



Since the early ’90s we’ve seen the emergence of what some have been calling “outsider” and “urban” art — artists who used the street as their canvas and non-traditional mediums as their tools, but weren’t practicing what we’d normally title graffiti. On April 25th the work of many of these artists (including Shepard Fairey, Barry McGee, KAWS, Mike Giant, FAILE, Banksy, Neck Face, and many more) will be featured at Phillips De Pury auction house in their Saturday@Phillips series. We caught up with Ken Miller (auction art consultant, ex-editor in chief of Tokion Magazine, and publisher of Revisionaries: A Decade of Art in Tokion) and Alex Smith (auction curator and Contemporary and Urban Art Specialist at Phillips de Pury & Co.) so we can get an insider’s point of view on the rise and relevance of this movement.

Flavorwire: The word “urban” or “street” is often used in describing much of the art available on the 25th. Where is the line drawn between “urban” art and graffiti?

read more...

Thursday, April 23, 2009

Trademarked Sentences

Wait a minute! They‘re trademarking the entire English language!
This site collects trademarked sentences and gives them new life by allowing users to reuse them to write funny POETRY and play GAMES. As copyrights are becoming increasingly restrictive, so are new visions of the law. Check our link vault to learn more about "copyleft" and "creative commons" licences for programmers, artists and publishers of all kinds.

Friday, April 17, 2009

LIFE.com launched by Getty Images


LIFE and Getty Images have created LIFE.com so you can access millions of breathtaking photographs — for free. LIFE.com lets you wander through the legendary LIFE and Getty archives, and with more than 3,000 new photos added every day, it also gives you the best pictures of people and places shaping our world.

Wednesday, April 15, 2009

Brand - Business Fantasy Camp


Business Fantasy Camp is a brand new web series that gives you the chance to gain expert business advice from some of the world's most prolific celebrities and business leaders.
Daisy Fuentes' brand makeover

Thursday, April 9, 2009

NASA Awards Grant to RIT to Develop New Polymer Foam Packaging for Lunar Missions


The National Aeronautics and Space Administration has awarded Rochester Institute of Technology a contract for $101,237 for a six-month study to develop new polymer foam packaging materials for protecting life support systems on lunar missions. The project will be led by Changfeng Ge, professor in the RIT College of Applied Science and Technology and director of the American Packaging Corp. Center for Packaging Innovation, based in the college.

NASA scientists have been working on the project ‘Portable Life Support System Packaging Phase’ for some time. This award to RIT is part of Phase III. Ge will develop several new types of polymer packaging materials, specifically single uniform foam, layer-structured foam, composite foam and closed cell foam filled with light gas. He’ll also develop the manufacturing plan to produce the materials. The new materials will protect the astronaut’s life support system from the impact while working outside of lunar vehicles, taking soil samples on the moon, for example.

Read more...

Wednesday, April 8, 2009

Three secrets to simplicity


“Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity.” Charles Mingus quotes (American jazz bassist and Composer, 1922-1979)



The 3 lures of complexity

Published on: March 3, 2009 by Paul Boag

In '10 harsh truths about corporate websites' I outlined 3 reasons why website owners shy away from removing content...

  • A fear of missing something - By putting everything online website owners believe they are giving users easy access to everything they need to know. Unfortunately, with so much available, it is hard to find anything.
  • A fear users will not understand - Whether it is a lack of confidence in their site or their audience, many website managers feel the need to provide endless instructions to users. Unfortunately, users never read this copy.
  • A desperate desire to convince - Many website managers are desperate to sell their product or communicate their message. Text becomes bloated with sales copy that actually conveys little valuable information.

However, I think there is more to it than that. First, there is a general laziness. It is easy to leave content online. It takes effort to remove it. Second (and more importantly) there is a desire to please users. If a user asks for a feature or piece of content, we feel obliged to provide it.

3 questions that encourage simplicity

Adding functionality requested by users is not always a good idea. You need to ask 3 questions...

  • How many people are asking for it? - If only a few people request a piece of functionality, there may not be the demand to justify the time and money.
  • Who is asking for it? - If it is not being requested by your primary audience then you should probably not be building it.
  • How will it affect others? - With new functionality comes complexity. Will that functionality confuse some users? Will it distract from your main call to action?

What then do you do if your site has become overly complex? How do you achieve simplicity?

3 steps to achieving simplicity

According to 'The Laws of Simplicity' there are three practical ways you can simplify anything, including your site. These are:
  • Remove elements
  • Hide elements
  • Shrink elements

Let's look at how these steps work in practice.

Friday, April 3, 2009

Darn Fonts - How Arial can Mess You Up

A light-hearted look at fonts. How we abuse them and how they can affect our reading speed and understanding. Tips included. By Louis Crowe


Those darn fonts can be hard to get right!

We spend more time reading at work than almost anything else... so you'd imagine we'd have got it right by now. Unfortunately not, the fonts and font sizes we use often conspire against us. They slow our reading and occasionally make us seem like fools.

"Darn". That is very different to "dam". Yet in Times New Roman, a default font, the r and the n actually touch creating what looks like an m. A yarn can become a yam, etc. A diplomatic incident was averted when someone pointed out that "the stupid dutch" was in fact written as "the stupid clutch"... but in Tahoma, font size 12, c l looks very like a d. There are lots of examples... would you prefer to be "torn in two ways" or "tom in two ways"? to have a clue or a due?

Font choice is critical for ease of reading. With the right font choice you will read faster, with less eye strain and greater concentration. Studies at ReadPal show that optimal formatting can double people's reading speed. Yet people still write digital articles in Times New Roman. Presumably, this is because Microsoft has (criminally!) used this as a default font in their templates. Times New Roman reads very well when printed but on-screen the little tails it adds to letters, (known as serifs), are clunky and indistinct on-screen. No wonder we print out documents just to read them. So, if you are sending an article please use Tahoma, Verdana or even Arial, they are far superior on-screen and perform just as well when printed. With the proper font choices we could save many a forest from being made into paper. A serif font can look classier when printed - but use Garamond instead. Read more...

Wednesday, April 1, 2009

The Branding of a president

The Gotham typeface, the slogans, the juxtaposed O, and the oh so clean website are some of the design elements that came together to create the most successful 2008 presidential campaign. Regardless of how we feel about politics as designers, we need to appreciate the level of complexity the Obama campaign undertook and the way in which it perfectly and meticulously carried out the branding of our current president of the United States of America.

The brand, as most designers should be aware of, is not just a logo found on letterheads and websites. It is the image the public sees and experiences when they encounter the product. It is understood and trusted as if it were an old friend or a beloved family member. This product can be a person or thing. Although in our society, the majority of the time we encounter products intertwined with a person who is oftentimes a celebrity.

There are many elements to a brand. First, there must be Brand Association; this is the feeling one gets when one thinks of a company or product. Such is the case of Volvo which is synonymous with safety. Brand association is commonly and easily destroyed. For example, companies, in an attempt to compete with other companies in the mist of current financial struggles, might begin to sell products or ideas in ways that are difficult for the public to identify with. At this point, the brand starts to deteriorate. The public loses interest. Such is the case with Starbucks. In the mist of financial instability, Starbucks began serving breakfast and lunches. Starbucks’ original brand association rested on the notion that when customers entered a store, they would only smell and think about the freshly brewed coffee they were going to buy. That no longer exists. In the case of the Obama Brand campaign, the brand association was simple and clear; this is a man who cared for the common person and their interest were his. He is a man of the people rallying a coalition for change. These ideas, for many, became synonymous with Obama.

The second element to brand reinforces brand association and that is Brand Name. Brand name is the word or words that a company or product is known by. This is done by word association or sometimes, it is the impression transmitted to the consumer about the product. This impression is sometimes well defined while at other times, it is more subtle. In a time when an entire country’s pulse was speaking louder than words, when the people were thirsty for action and involvement, the Obama brand focused on the word Change, and empowered the people with words like “Yes We Can.”

The third element is Brand Personality. Brand personality, in most cases, is given to a product or company by a representative or spokesperson. Often, someone famous or a current celebrity is used. However, at other times identifiable objects that represent what a company stands for can be used. For example, a rock can be used to represent stability or water can be used to represent tranquility and fluidity. The Obama Brand benefited a lot from its charismatic leader but it also used a series of color combinations that denoted patriotism. This included the use of the clean, elegant and very American font, Gotham. The font itself has an honest tone that’s not imposing, not plain or unsympathetic but rather friendly and confident.

The fourth element is a Logo which can be a company’s graphic imagery; this can often be illustrated or simply written. Sometimes the logo becomes part of the entire identity of the brand. It also gives out a desired emotion that will help consumers identify with the company. One of the most famous is the big yellow (golden) arches shaped in an M of you know who. Children from all over the world see it and immediately name it without knowing how to read. These arches act like bells awakening children’s craving for McDonalds. The Obama campaign logo is simple yet quite clever and meaningful. At the top, there is a half blue ring which symbolizes a rising sun. It is also the same shape as the O used to write Obama in campaign materials. The red and white stripes below it combined with the blue above create the American flag, which is completed with a sun rising above the horizon. The logo is symbolic, simple, and memorable.

The fifth element is Positioning. Positioning usually requires heavy research and it determines much of how what has been discussed in this essay will be executed. This determines where the product or company fits in the market place, and its services and advantages over the competition. Given the time in history, the economy, the leaps and bounds the country is taking over the last 50 years, the progressive mentality of its youth and their desire for taking responsibility for our environment, the Obama campaign flourished and succeeded. As society becomes more diverse, it becomes more aware of it surroundings and the entire world. Designers would need to consider target audiences and other common variables for design decisions simply because these things will affect the approach that will be taken for a brand.

Finally, a Tag Line as simple as “Just Do it” stands on its own. An affective tag line does not need the company’s name sometimes. It is a catchy and memorable phase or sentence that identifies the company. The well publicized and constantly enforced tag line for the Obama campaign was “Change We Can Believe In.”

Obama’s campaign ran well most likely because it was one of the best branding campaigns ever put together. The Obama website was user friendly. One interesting feature was the ability to add your phone number so constant updates on the campaign could be sent to you. The posters, t-shirt and other collectibles made designers want to hang them in their office. Everything was perfectly carried out. In one small detail, at the Obama speeches given throughout the country, there was always an abundance of posters. As one of Obama’s supporter and his family arrived to listen to a speech, someone handed him a homemade poster with Obama’s name on it. Several minutes later, a representative of the Obama campaign approached the supporter and gave him one of the official campaign posters. Talk about retaining a brand.


by GIANCARLO BRAND
COLLEGE VALENCIA COMMUNITY COLLEGE
JOINED FULL SAIL 2006
INTERESTS Aside from design, he also has a passion for the technical aspects such as maintaining and fixing computer software and hardware including
maintaining servers and networks. He now holds the position as
Communication Chair for AIGA Orlando chapter.
CAREER Giancarlo, also known as "Blue", has worked for several local ad
agencies in Orlando, such as Push, one of the largest design firms in
Florida, and MarkUSA which is now located in Chicago. He also excels
at Photography; his first passion and one he worked with for many
years with several local photographers as well as on his own.
He was mentored by well-known "Design Activist" Julio Lima, founder
of Push and owner of the successful local Studio "Say It Loud".